Originating from a chapel built back in 942 for Saint Jean-Baptiste, Ghent’s standout attraction is the historic St Bavo Cathedral (Sint-Baafskathedraal), notable as the location of Emperor Charles’ baptism. Today, the cathedral’s crypt is the last remaining remnant of the original Romanesque structure and the majority of the cathedral dates back to the 16th century, renamed in honor of Saint Bavo of Ghent.
Don’t be distracted by the cathedral’s less-than-impressive exterior, a muddle of Romanesque, Gothic and baroque architecture, because a breathtaking collection of artworks, sculptures and carvings adorn the interiors. The dramatic centerpiece is the show stopping ‘Adoration of the Mystic Lamb’, a 24-panel Hubert and Jan van Eyck polyptych, completed in 1432 and housed in the chapel of Joost Vijd. Additional highlights include an oak and marble rococo pulpit by Laurent Delvaux, Rubens's The Conversion of St. Bavo and the tombstone of Bishop Triest.
The heart of medieval Bruges and the nucleas of the modern city, Bruges’ Market Square (the Markt) is one of the most striking in Europe. Bordered by rows of medieval townhouses, the 1-hectare square is the focal point of city events, with souvenir stores and restaurant seating spilling onto the streets during the summer months and a vibrant Christmas market and open-air ice rink transforming the square for the festive season.
The Market Square is also home to some of Bruges’ most celebrated architectural works, including landmarks like the 12th-century belfry, which offers spectacular views from its 83-meter high tower. Additional highlights include the 19th century Neo-Gothic Provincial Courthouse and the towering central statue of Jan Breydel and Pieter de Coninck, which honors the political leaders who led the 1302 Battle of the Golden Spurs.
Moated Gravensteen Castle is a circular, gray fortress built in 1180 alongside a split in Ghent’s River Leie to symbolize the power of Philip of Alsace, who was the ruling Count of Flanders. Although a wooden castle had existed here for centuries, the new fortification was built to send out a clear message of his supreme power to his political enemies. Philip had been on several Crusades and clearly modelled the design of his new home on the austere crusader castles scattered around the Mediterranean Sea from Portugal to Greece. Its two-meter (six-foot) thick walls were made of Tournai limestone and fortified with battlements while the castle’s towers and turrets housed stables, a church and state apartments as well as a torture chamber to deal with anyone brave – or foolish – enough to cross Philip. Following extensive restoration in the late 19th century, today the torture chamber is a gruesome museum displaying guillotines, branding irons and thumbscrews.
Bruges is one of the most picturesque cities in Belgium. It's one of Belgium's best preserved cities, and its medieval architecture escaped destruction from both World Wars. More than 1,000 years ago, Brugge was an important trade city due to its location near the coast. But in the 11th century, waterways that had direct access to the sea began to silt up. Although the walls of the city no longer stand, four old gates mark the boundaries of the old town and what is today the city center. Cobblestone streets, colorful buildings, and a series of canals add to the charm of this small city.
Start your visit in the Grote Markt, Brugge's main square. Here you'll find the Belfry with its 272-foot tall tower, which you can climb for fantastic views of the city. Another great way to enjoy the city is from a boat tour of the canals. At the Basilica of the Holy Blood, you can see a vial of what is said to be the blood of Jesus.
The birth of the city of Bruges was heralded by Baldwin Iron Arm’s (Count of Flanders I) construction of a fortified castle on top of a hill in the 9th century. The castle was originally built to protect the area from invading Vikings and Normans and remained the seat of the Counts of Flanders for more than 500 years. The castle is now gone, but the charming public square which replaced it, known as the Burg, has been the heart of the city for centuries.
The Burg is just a short stroll from the Markt (Bruges’ other town square) and is home to a collection of historic buildings, which together represent almost every era in Bruges’ history. The most impressive buildings include the late medieval town hall, the Renaissance-style old civil registry and the neo-classical court of justice.
The soaring 400-foot (122-meter) spire-topped brick steeple of the Church of Our Lady – the city’s tallest structure – lends itself to commanding views of Bruges. The spire dominates the Bruges skyline and can be seen from all over the city, while from inside the tower, on a clear day, you can see across Belgium as far as the Netherlands.
The church was built over two centuries (13th-15th) and houses a substantial collection of artworks. The most celebrated of the church’s art collection is a white marble sculpture of the Madonna and Child, created by Michaelangelo in the early 16th century – it is one of the very few Michaelangelo pieces that can be seen outside of Italy. The Church of Our Lady also holds an oil painting depiction of the crucifixion by the Flemish Baroque artist Anthony van Dyck, and a rococo pulpit by Bruges artist Jan Antoon Garemijn.
With a name that translates into English as "Lake of Love," you might be tempted to dismiss Minnewater as a little clichéd. That would be a mistake, however, as this canalized lake is genuinely charming and can even create the feeling of traveling back in time to Bruges’ medieval heyday.
The lake is surrounded by trees and old brick houses and the adjacent Minnewater Park is often the site of live musical performances during the summer months. You will likely spot many swans on the lake, they are one of Bruges’ symbols, but be warned that they can be known to be quite territorial. The best views of the Minnewater can be had from the 18th-century bridge that crosses the lake. Minnewater is certainly a romantic place to stroll around with someone special, but anyone can appreciate the peacefulness and scenery and it can make a relaxing break from the hustle and bustle of the nearby city center.
One of the most famous and best preserved of Belgium’s UNESCO World Heritage listed Beguinages, Bruges’ Beguinage (Begijnhof) or ‘Ter Weyngaerde’, is one of the town’s most visited attractions, offering a unique glimpse into the European Béguine movement of the Middle Ages. A fine example of a traditional Flemish béguinage, the secluded complex of houses, churches and gardens was founded in 1230 by the Countess Johanna of Constantinople and up until 1926 housed a small community of Béguines, lay women who devoted their lives to god.
Today, the compound is home to around 25 Benedictine nuns but its Béguine past lives on at the onsite Beguinage museum, which features displays like a recreation of a 19th century kitchen and a showcase of traditional crafts. For most visitors though, simply wandering around the daffodil-filled gardens, whitewashed houses and 13th-century church provides an evocative glimpse into the solitude of the Béguine lifestyle.
The Town Hall (Stadhuis) is Belgium’s oldest building and arguably Bruges’ most beautiful. The Flamboyant Gothic-style building was constructed between 1376 and 1420, and was one of the first grand town halls in the Low Countries. The city has been governed from this building for more than 700 years.
The town hall’s front facade features Gothic windows and the town weapons of the cities and villages that were under Bruges’ administrative rule. The statues of biblical figures and Counts of Flanders that sit in the niches of the façade are 20th-century replacements for the originals. Those were painted by Jan van Eyck and destroyed by pro-French rebels in the 1790s. In the entrance hall, a large staircase leads to the ornate Gothic Hall, which was decorated in 1895 with neo-gothic wall murals that illustrate events from Bruges’ history – pick up an audio guide for detailed information.
The medieval quays of Graslei and Korenlei face each other across the canalized River Leie and originally formed part of Tusschen Brugghen, the city’s thriving harbour. Their banks are lined with a rare architectural treat – the loveliest gabled guild houses and warehouses in Belgium, built between the 1200s and 1600s by rich merchants and guilds whose wealth came from trade. The streets are united by St Michael’s Bridge, from where their gabled delights can be seen at best advantage, and although considerable restoration work has taken place, these distinctive townhouses have maintained their allure.
Graslei is lined by canal-side restaurants blessed with a graceful backdrop of gabled gild houses; the oldest is the Het Spijker (Stockpile House) at no. 10; other ornate façades once contained the guild houses of the stonemasons, the free boatmen and the grain measurers as well as the former customs house.
Book-ending the square of Botermarkt with St Bavo’s Cathedral, the ornate UNESCO-listed Belfry and the Cloth Hall at its feet stand testament to the great wealth of Ghent in the 14th century; built with money from members of the wool and textiles guilds, they are in striking Brabant Gothic style. The Belfry is topped with a gilded copper dragon and holds a carillon of 54 bells that have rung for more than six centuries; take the elevator to the viewing gallery at 66 m (217 ft) above Sint-Baafsplein to see the bells and take in panoramic views of gabled facades, St Bavo’s Cathedral and the Gothic ornamentation of St Nicholas’ Church. A small museum displays models of the church, a few pieces of armor and the original dragon from atop the tower.
The Basilica of the Holy Blood (Heilig-Bloedbasiliek) is a church in Brugge, Belgium that has what is believed to be the blood of Jesus Christ. The basilica was once a chapel built in the 12th century, and it has been added to and rebuilt over the centuries. The lower chapel was built in a Romanesque style and has little decoration. The upper chapel, though originally Romanesque, was rebuilt in a Gothic style with plenty of colors and details.
Legend has it that Joseph of Arimathea wiped blood from the body of Christ after the crucifixion and preserved the cloth. Supposedly the cloth remained in the Jerusalem until the Second Crusade. At that time, the King of Jerusalem gave the relic to his brother-in-law, Count of Flanders, Diederik van de Elzas. The Count took the relic back to Brugge in April 1150, and had it placed at the chapel he had built on Burg Square.
The Menin Gate Memorial in Ypres, Belgium is one of four Commonwealth memorials honoring missing soldiers of World War I. The remains of over 90,000 soldiers who fought in the Ypres Salient area have never been found or identified. The memorial holds the names of more than 54,000 Commonwealth soldiers who lost their lives in the Ypres Salient battlefields in Flanders and and who have no known grave. Throughout the war, nearly every British and Commonwealth regiment passed through the area where the memorial now sits, many of them never to return.
Every night at 8pm a ceremony is held under the gate. Most days, people start gathering around 7pm, traffic is stopped at 7:30pm for one hour, and buglers from the local volunteer fire department arrive a few minutes before 8pm. The buglers sound the “Last Post” bugle call which is followed by one minute of silence. On days when there is no extended ceremony, the buglers then play “Réveille” to end the ceremony.
Hill 60 was a World War I battlefield in the Ypres Salent battlegrounds of Flanders named for its height at 60 meters (197 feet) above sea level. It was the site of intense fighting between British and German troops in April and May 1915. The British attack on April 17, 1915, began with the explosion of three mines which blew the top off the hill. Hundreds of soldiers died, and because of the continued fighting in this area, it was not possible to identify or even recover many of the bodies. Tunneling and mining operations were carried out here throughout the war by French, British, Australian and German troops. If tunnels caved in, soldiers who died underground were often left behind because of the difficulty of retrieving them. The remains of many soldiers from both sides of the war are still at this site
Ghent is Belgium’s best-kept secret, a cosmopolitan university city of imposing churches, top-quality museums and some of the most beautiful medieval architecture in Europe. Add to this a vigorous cultural scene, packed late-night bars, restaurants and clubs, plus stylish hotels and this is a city not to be missed.
The city’s pedestrianized heart surrounds triangular Korenmarkt, which was the medieval market place, with most of the major sights – the ornate Stadhuis, St Bavo’s Cathedral, St Nicholas’ Church and the Belfry – within easy walking distance. Just northwest of Korenmarkt, the River Leie is canalized and bordered with the medieval quays of Graslei and Korenlei; it curls through Ghent on its way to join the River Schelde and a network of canals leading to the port. Close by, the austere Gravensteen Castle lies on a split in the Leie, and beyond that is Patershol, an enclave of narrow streets crammed with 17th-century artisanal cottages.
The In Flanders Field Museum is a World War I museum is located in a famous cloth hall in the center of Ypres, Belgium. The major theme of the museum is the consequences of war. Mirrors are used to inspire visitors to examine how we look at the past, how and why we remember, and how we view the nations involved in World War I. The museum encourages visitors to reflect on the major historical events as well as the personal stories of individuals. Visitors will learn about how the war affected the lives of thousands of people of different nationalities who were involved in the war. The museum also has a heavy focus on how the war affected West Flanders and the city of Ypres.
Visitors receive a poppy bracelet for a one euro deposit when they enter the museum. The bracelet has a microchip in it which tells the stories of four individuals, in the language you choose, as you walk through the exhibits in the museum. You can also climb 231 steps to the top of the bell tower.
One of Belgium’s best fine art museums, the Groeningemuseum, holds a collection that covers around 600 years of Flemish and Belgian painting, from the 14th through the 20th century. Notable pieces include the 15th-century Flemish painter Jan van Eyck’s Madonna with Canon Van der Paele. This piece was completed in 1436 and features highly sophisticated techniques such as fine detailing and the use of multiple layers of oil and varnish to achieve texture and depth. This painting is regarded as one of Van Eyck’s most ambitious works.
Other works on display include Hans Memling’s Moreel's Triptych; Hieronymus Bosch’s The Last Judement, Gerard David’s Judgment of Cambyses, which depicts the corrupt Persian judge Sisamnes being flayed alive, and other pieces by early Flemish painter Rogier van der Weyden and the surrealists Magritte and Paul Delvaux.