There is no shortage of “David” statues in Florence, but if you want to see the real thing—the one that inspired all the copies—you've got to go to the Galleria dell'Accademia, or Accademia Gallery. It was custom built to showcase Michelangelo's masterpiece, and it does so beautifully.
Michelangelo's “David” was carved from 1501 to 1504 and originally stood at the entrance of the Palazzo Vecchio on the Piazza della Signoria. Not long after the statue was unveiled, a particularly rowdy fight taking place in the Palazzo led to a chair getting thrown out of a window—directly onto the David's arm, which broke in three places. The statue was moved to its present home in 1873 to further protect it from damage, and a replica was placed outside the Palazzo Vecchio in the spot where the original first stood.
The marble Michelangelo was given to work with for this statue was imperfect and had already been partly carved by his predecessor.
You'll catch glimpses of the red-tiled dome of the Duomo, or Cathedral of Santa Maria dei Fiori, peeping over the rooftops as soon as you arrive in Florence.
The 13th-century Sienese architect Arnolfo di Cambio was responsible for building many landmarks in Florence but this is his showstopper. The beautiful ribbed dome was creatively added by Brunelleschi in the 1420s.
The building took 170 years to complete, and the facade was remodeled to reflect Cambio’s design in the 19th century.
Inside the Duomo, your eyes are inevitably drawn upwards to that soaring painted dome and lovely stained-glass windows by such masters as Donatello. Visit the crypt, where Brunelleschi's tomb lies, or to the top of the enormous dome itself for stupendous views over Florence.
Standing tall over the city of Florence, Brunelleschi’s Dome is an architectural feat, the most prominent part of the Florence Cathedral, and a symbol of Florence itself. Located in the city's historic center, the cathedral complex that holds the dome is a UNESCO World Heritage Site. The whole area is known to locals as the “Duomo” or dome, after the structure. Designed by Filippo Brunelleschi and completed in 1436, it took sixteen years to build. And at 45 meters wide, it is the single largest masonry dome in the world.
Brunelleschi came to the rescue when, after over 100 years of cathedral construction, there were plans for to add a dome but no idea how to erect one. He went against existing construction norms and resolved to build a dome without wooden scaffolding — one that would support itself as it was built. It was an engineering and design marvel at the time, and the fact that it still stands tall more than 600 years later is a testament to its masterpiece.
If you want to catch those iconic, sweeping views of Florence you've seen in postcards, head to Piazzale Michelangelo. From an elevated position overlooking the city, the fabulous views take in the city's fortified walls, the River Arno, the tower of the Palazzo Vecchio and, of course, the round red dome of the Duomo.
During the day, drink in the views as you stroll along the Renaissance promenade, overlooked by yet another copy of Michelangelo's David. Return in the evening for magical views of Florence floodlit at night.
Florence’s spacious Piazza della Signoria has long been one of the city’s main meeting points. The Palazzo Vecchio, which anchors one side of the square, was once home to the rulers of the Florentine Republic, and today still serves as the city’s town hall. This square, then, was often used by those seeking favor (or protesting) their government.
Today, the Palazzo Vecchio houses a museum along with the town hall, and the Piazza della Signoria is lined with other major attractions. In front of the Palazzo Vecchio you’ll find a copy of Michelangelo’s famous “David” statue (in the place where the original once stood). The open-air gallery that is the Loggia dei Lanzi contains a collection of sculptures. And to one side of the Palazzo Vecchio is a fountain with a huge statue of Neptune.
The Piazza della Signoria was the site of the 14th century “Burning of the Vanities” led by the monk Savonarola, and it’s also where Savonarola was later hanged.
Work on this beautiful basilica began in 1294, though the facade and bell tower are 19th-century additions. The world's largest Franciscan church, it houses 16 chapels and famous frescoes by Giotto.
On the inside, the church is a classic example of Tuscan Gothic. Take a walk around the immense and lofty interior to spot Michelangelo’s tomb by Vasari, the Giotto frescoes in the Peruzzi Chapel, the Gaddi frescoes, porcelain details by della Robbia, and work by Donatello.
Along with Michelangelo, other famous names buried or commemorated in Santa Croce include the Renaissance architect Alberti, Galileo, Ghiberti, Machiavelli, Marconi, and Dante.
Historic Palazzo Vecchio ('old palace') has been at the political heart of Florence for more than 7 centuries. With its late-medieval crenellated roofline and soaring defensive tower, it dominates the lovely buildings and sculptures of Piazza della Signoria in the heart of Florence.
The striking building was built in the early 1300s, and was redecorated by the ruling Medici family in the 16th century. Inside you can imagine how life at the top was lived in Renaissance Florence by touring the luxuriously decorated chambers.
From the courtyards to the chapel and private rooms, you’ll see elaborately decorated ceilings, frescoes by the celebrated Renaissance painter Vasari, and statues by such luminaries as Donatello and Michelangelo.
Climb to the top of the tower for stupendous views of Florence and the Arno valley.
Giotto's elegant bell tower (Campanile di Giotto) flanks Florence's Duomo and Baptistery, rounding off Piazza del Duomo's prime attractions. Designed by Giotto in 1334, the Gothic tower is faced in the similar nougat-hued marbles of the Duomo. The design features five distinct tiers decorated with arched windows, sculptures and geometric patterns of different colored marbles.
Take a close-up look at the lovely plaques decorating the tower at ground level, sculpted by Pisano. The originals are housed in the nearby Duomo Museum.
More than 400 steps climb to the top of the 82-meter (25-foot) bell tower, for wonderful views of Florence and the River Arno.
The Pitti Palace was built by rivals of the powerful Medici family in the mid-1400s. A century later, the Medicis took over the huge Renaissance palace, and it was the home of Florentine rulers until the early 20th century.
Today the massive palace houses a number of picture galleries and museums, and is surrounded by gardens and ornate fortifications. To see the entire collection would take days if not weeks, so choose your favorites and plunge in!
A tour of the royal apartments reveals the Medicis' taste for over-the-top decor. An impressive collection of Renaissance masterpieces is housed in the Palatina Gallery, with works by Raphael, Titian and Rubens.
To see the Medicis family's silverware, head to the Silver Museum, or take a stroll around the Renaissance Boboli Gardens, with its statues and grottoes.
Built over a former Benedictine monastery garden and grain market in the late 14th century, the wrongly often-overlooked church of Orsanmichele was designed along Gothic lines, with ornate tracery around the doors and windows. Each of the wealthy trade guilds in Florence were commissioned to provide statues of their patron saints to fit the 14 niches in the exterior walls but the project lingered on and was eventually completed with exquisite works from such Renaissance masters as Ghiberti, Della Robbia, and Donatello. Replicas now fill the niches while most of the originals have been restored and are displayed in the two-floor museum above the church, where the original Gothic architecture is exposed, giving views of wooden vaulting and decorative brickwork.
The Piazza della Repubblica is a public square in the center of Florence that sits on some of the city’s most important historic sites. It was once the city’s Roman Forum — then subsequently its market and old ghetto, after the forum was extensively built over in the early Middle Ages. The present square was established in the 19th century Risanamento during the period in which Florence was briefly the capital of a reunited Italy. The expansion of the square meant the demolition of many significant structures.
The square was revitalized after the war, and today is the home to many street performers and artists as well as historic literary cafes and traveling exhibitions. Sitting in the piazza you can see the Colonna dell'Abbondanza (Column of Abundance) and the Arcone, the most prominent remaining structures of the past.
One of the oldest buildings in Florence, it's thought that the octagonal Baptistery stands on the site of an ancient Roman temple. It may even have been built as early as the 5th century. The striking Romanesque cladding of white and green marble was added in the early 12th century.
Inside, the Baptistery features gold mosaics, marble columns and tombs. Look up to catch the best views of the gilded mosaics covering the cupola.
Perhaps the Baptistery's most famous attraction is its trio of gilded bronze doors, decorated with panels. Examine the panels up close to admire their incredible details.
The pretty Piazza Santa Croce is a public square in central Florence located just to the east of the Piazza della Signoria. The square gets its name from the main building facing the piazza, the Santa Croce Basilica.
The Basilica of Santa Croce is a 15th century Franciscan church in which you’ll find the tombs of many famous Florentines. Those buried at Santa Croce include Michelangelo, Maciavelli, Rossini, Ghiberti, and Galileo. The church’s interior also features some noteworthy Giotto frescoes.
Two other buildings of note facing the piazza are the Palazzo dell’Antella and the Palazzo Cocchi-Serristori. The former is a one-time residential palace with a 17th century facade covered in detailed murals, while the latter was a smaller private home built in the 15th century from a 14th century structure. In the Piazza Santa Croce itself there is a statue dedicated to Dante.
A visit to the enormous Basilica of San Lorenzo leads to things you may not expect from a church. What ties the church to its unexpected turns, however, is something very Florentine - Michelangelo.
In the 15th century Basilica of San Lorenzo are the tombs of the Medici, located in the New Sacristy (also designed by Michelangelo), which are adorned by Michelangelo sculptures. The two main tombs in the chapel are those of Lorenzo and Giuliano Medici. Lorenzo’s tomb has figures representing Dusk and Dawn, while Giuliano’s features figures representing Day and Night.
The unexpected sight is the Laurentian Library, designed by Michelangelo. The incredible curved stone staircase leads into a great reading room where even the desks were designed by Michelangelo. Other works of art inside the Basilica of San Lorenzo include some bronze works by Donatello and an altarpiece by Fra Filippo Lippi. You can get a combined ticket to visit both the church and the library.
Designed by the renowned architect Giovanni Mengoni in the late 19th century, Florence’s Mercato Centrale is a cavernous, two-storey market hall that’sl full of Tuscan foods. The biggest market in the city, on the outside it’s all iron and lots of glass. Enter on the ground floor to see rows and rows of meats and cheeses including mounds of fresh buffalo mozzarella, and food bars where you can stop for a snack or a panini. The northern corner’s where to buy fish and shellfish, while the second floor is given over to vegetable stands.
All kinds of foods can be bought here, from fresh bread to pasta and pizza, gelato and chocolate. There’s also the popular Chianti Classico wine store, which you can arrange to have any wine you buy shipped home. You can also sign up for wine tasting classes or head to the market’s cooking school.
Palazzo Strozzi may not be one of Florence's most popular museums, but those in the know say this fine example of Renaissance architecture is a must-see spot in Italy for art, history and Italian culture. What was constructed during the late 1400s as a residence for the Strozzi family, later became one of the largest temporary exhibition spaces in the city, drawing private collections from across the globe to the halls of this Florence destination.
In addition to galleries and halls jam-packed with ancient art, frescos and contemporary design, Palazzo Strozzi offers travelers and locals new and unique ways to engage with art. The scenic courtyard hosts free concerts, movie nights and cultural activities in warmer months, while permanent touch-screen installations showcase the history of the museum for those interested in learning more.
Built in the 16th century in Florence’s Boboli Gardens, Buontalenti Grotto is the largest grotto in the city. Named after the architect who oversaw its construction in the late 16th century, it was commissioned by Grand Duke of Tuscany and has since featured Dan Brown’s bestselling novel.
A curious-looking place indeed, on both the outside and inside the grotto’s covered in man-made stalagmites and mythical mosaic creatures including sea goats. Buontalenti Grotto is divided into three rooms with the first, and biggest, styled in the most natural way as a cave full of stalactites and stalagmites. There are also a few anthropomorphic creatures created out of stones and shells thrown in there for good measure. The next room is similarly decorated to the first, and includes frescoes depicting Minerva and Giunone. The third room is also known for its impressive frescoes, but here you’ll also see a green marble fountain and a ceiling painted to resemble a sky full of birds.
In a corner square of Florence, Loggia dei Lanzi is an open-air museum containing some of the world’s greatest works of art. Known most for its collection of Renaissance art statues, which many consider to be masterpieces, it contains works such as Cellini’s Perseus, Giambologna’s Rape of the Sabine Women, and an ancient Roman statue of Menelaus that used to be part of the Ponte Vecchio.
Originally intended to be a space for public ceremonies, construction on the area began in 1376. It was designed in a late Gothic style, a predecessor to the emerging Renaissance style. It is named for the Swiss personal guards (‘lanzi’) of emperor Cosimo I, who were once encamped here. The loggia opens to the street under three wide arches, seamlessly integrating with the rest of the city. The arches are supported by Corinthian capital, creating a canopy over the sculptures. It remains completely free and open to the public.